Newest addition to the Shoe Portrait series
Shoe Portrait of an Earthy Woman
Pencil and soil on layered and sewn paper
490 x 635 mm
This is the latest drawing in the Shoe Portrait series of equal size. They are on display in the library room at Shine Harehills Business Centre in Leeds for the next few months, to be companions to conferences, lectures and meetings.
Shine
Harehills Road
Leeds LS8 5HS
0113 388 0000
info@shinebusinesscentre.co.uk
Sculptress and exotic
Shoe Portraits
Pride of place
Charcoal, Walnut Ink, 1000 x 730 mm, framed. £175
Make Do and Mend Exhibition

Opening storage boxes, unrolling work and setting up is one of the great pleasures of being an artist. When there is a lovely space available for work to be displayed and putting the finishing touches on an installation is very rewarding. It makes all the soul searching, questions and difficult choices arising in the production of the work worth it.

Winding Thread Triptych as set up in ARTLINK Gallery, Hull. Please follow link for images of works by the other artists: http://www.artlink.uk.net/index.php?idsection=3&subid=1

AvAnT GaRdE Exhibition

Winding Thread 2 Triptych at the Avant Garde Intervention no2 Exhibition, in York Cemetery. Nov 2008 .
Pencil and graphite on translucent paper, sewing pattern paper, lace, thread and pins. Hung from clothes racks.

Middle panel with back lighting.

Backlit detail of middle panel.


Play of sunlight on display and right hand panel.


Moving light and shadows.
Drawing for opportunity
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Framed drawing: Potential (red silk twist), 800 x 600 mm, Pencil and oilpaint on translucent paper.

When asked for a drawing/work for a raffle for a charity which provides education for children with disabilities -children who otherwise would not have a chance of education, school days, learning and developing their potential - I thought of this drawing. It was part of the Thread of life series. This little bobbin of beautiful red silk twist thread could be used to produce some beautiful dress, embroidery, shirt, piece of clothing. It would hold the material together or adorn it. It has the potential to produce something useful, valuable and beautiful. We ourselves all have potential, valuable silk thread, and it would be good if each of us was given the opportunity to develop that potential. It would be to the benefit of all.
links the the charity: http://www.school4all.org.uk/index.aspx?id=1
http://www.lcdisability.org/?lid=32
Life drawings



Fairy Tales Series
Red,
the colour of love and passion,
the colour of rage and violence,
the colour of royalty,
the colour of blood, life giving or bleeding ...
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This Drawing in informed by the role of the beautiful princess in fairy tales. She is usually a pure virgin dressed in white, symbol of innocence and kindness.
Red Dress (Beautiful Princess),
2006
850 x 1120 mm,
Watercolour pencil on translucent paper,
Sold through Edgar Art & Framing.
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Are contemporary little Red Riding hoods, our hoodies, young people who have strayed from the path and been devoured by the wolf? This work also questions the way we judge and are judge by our clothing.
Red Hoodie, (Little Red Riding Hood) ,
2006
850 x 1120 mm,
Watercolour pencil on translucent paper,
Sold through Edgar Art & Framing

Based on the fairy tale of the red shoes, the symbol of independence, creativity and the feral woman. If we surpress our creative self, it will come beckoning with revenge and take us into an eternal and deathly dance. There is an insightful chapter on Self-preservation in Clarissa Pinkola Estes's Book: Women who run with the wolves, Myths and Stories of the Wild Woman Archetype.
Red Shoes
2006
850 x 1120 mm,
Watercolour pencil on translucent paper,
Sold
Drawings from Hungate Dig
The drawings are a response to the activity in the entrance hall, which I have been allocated for displaying my work. This is a changing, working environment where trays of finds are stacked to dry and safety clothing is available for use by those going on site. The objects in the drawings belong to different ‘layers of time’, from the Roman era to the present, the time span of the site itself. My drawing highlights the significance that these humble objects hold within a particular context. The act itself references the drawing process of mapping.
Object Map 1: Past,
Pencil, soil, tape on layered paper, mounted on board.
100 cm x 81 cm.
Catherine Scriven, 2007 - 08.
This drawing is based on a piece of a Roman mortarium, a large bowl with embedded grit to grind and mix foods. It is related to our present pestle and mortar. It would have been used in the daily routine of food preparation.
This object was found by Will and I, in the infill of a drain cut.
Here is a detail of the drawing, layers and mounting:
Object Map 2: Past and Present,
Pencil, soil, tape on layered paper, mounted on board.
100 cm x 81 cm.
Catherine Scriven, 2007 - 08.
This drawing is based shoes: the archaeologist’s steel toe capped boots worn for safety and an early 20th century female leather shoe probably worn for a smart occasion found in context 39000.
Shoes: humble everyday objects
Shoes: metaphors for activities, circumstances and
personality.
Here is a detail of the drawing of the laces:
Object Map 3: Present,
Pencil, soil, tape on layered paper, mounted on board.
100 cm x 81 cm.
Catherine Scriven, 2007 - 08.
Uniform gear for protection.
Unifying but protecting the individual.
Emphasis on the individual.
The individual as part of team.
Emphasis on the team.
Any of us, all of us.
Absent but present.
For photos of the drawings withing the dig context go to the installation view. Click on link: http://catherine-scriven.blogspot.com/2008/01/installation-at-hungate-dig.html
New Drawing from Hungate Dig

spout of a roman mortarium, 75x75cm, watercolour pencil on paper. first draft.
During the summer I have been escaping and volunteering one day a week at an archaeological dig in York. The area is called Hungate and being developed over the next few years. You can find information on http://www.jorvik-viking-centre.co.uk/hungate/abouthungate/about1.htm I have found it fascinating, taking a glimpse at how archaeology works, how to read the soil, about finds, about context and about the people who work and volunteer in a very interesting community.
Last week we found a piece of a mortarium, an roman food processor bowl, like a pestle and mortar, and it was so interesting that I had a strong urge to draw it, follow the curves of the spout and rim we found, the colours and markings of age, but the incredible strenght and its cool pottery feel that survived 2 millenia. It is broken, so it was rubbish to the romans because unusable and found in an infill trench, but it is a treasure to me. So this is the first draft after the first day drawing and it feels absolutely wonderful to be drawing again. Slept the best in ages.
Prints and Drawing for Ryedale Open, 2007




Drawings from Summer Exhibition: Thread of Life



